Leah Zhang 张紫璇  works with film, photography, sound and installation. With a background in film studies, her work is a research practice around image and media.  Leah’s work usually involves (onsite) labor and extensive collaboration.  
Shaped by her memory of growing up in a mining town in China, Leah’s practice incorporates an inward-looking perspective, just like mining, which digs deeper and deeper into the ground. Inspired by alchemy in mining, Leah’s interest rests in transformation and its ability to shift value and ontology. She is drawn to the unstable passages between forms of being and body, where the cinematic, the poetic, the magical, the chemical, the social, and the personal overlap, rendering moments when representations fail.

zzixuan811@gmail.com



list of works:

Rehearsal
BEELD 相
In Emptiness there is no Form 空中无色

Constellations
YUANDAN, 2022
Fossil Morphology
Absolute Purity 绝对纯洁
The Future Semiotics of A.S.M.R.
I was Born in a Company
Truthful Imaginary
Eyes in Mountains
zzixuan811@gmail.com
+31 647292780


Leah Zhang works with film, photography, sound and installation. With a background in film studies, her work is a research practice around image and media.  Leah’s work usually involves (onsite) labor and extensive collaboration.   Shaped by her memory of growing up in a mining town in China, Leah’s practice incorporates an inward-looking perspective, just like mining, which digs deeper and deeper into the ground. Inspired by alchemy in mining, Leah’s interest rests in transformation and its ability to shift value and ontology. She is drawn to the unstable passages between forms of being and body, where the cinematic, the poetic, the magical, the chemical, the social, and the personal overlap, rendering moments when representations fail.



Leah currently lives and works in Amsterdam, Netherlands.




I’m sure that when I die, I’m still going to say ‘I haven’t understood’. It’s the cliché: the more you understand, the more ignorant you know you are. I’m just really an enthusiast and I have an obsessive belief in what I’m doing because it’s important for me.
        But I’ve never had any feeling that this is going to mean anything for anyone else. It’s just the way of working out my salvation. People just do the best they can. And I don’t know any other way to do it. (from an interview in White Heat Magazine, 2010)