Leah Zhang works with film, photography, sound and installation. With a background in film studies, her work is a research practice around image and media.  Leah’s work usually involves (onsite) labor and extensive collaboration. Her work discusses the ontology and materiality of image, the subjects and perspectives of looking, the complexity of value and its socio-historical implications. In recent years, Leah has been making work about extraction and alchemy both as a subject and as a thought process, and reflecting upon nature and bodies in politicalized-Anthropocene.


Leah currently lives and works in Amsterdam, Netherlands.

Absolute Purity
— Silver pieces recovered from the 16mm films of the movie Liu Qiao Er (1956)
— Silver and combined material, 1 x 1.5 inches, 1.7g

Through recovering all the silver in the emulsion of this film, I transform the film from the 1950s, which is a time-based "illusion", to a solid space-based noble metal that lacks a certain degree of purity. The paradoxical thing is, silver belongs to a very different value system from the value system the film supports.
In the 1950s, individual possession of silver products was not allowed in China. The country collects silver from households for manufacturing purposes, which enabled Bao Ding Film Studio to produce the first roll of 16mm film. This communist, large studio system saw an “energetics” of collectivism. In the process of gathering people and resources, a magical, spiritual power also converged, making possible not only the exposure of Liu Qiao Er (1956), but also the “exposure” of Chinese film industry.

However, after many years, as film is now considered an obsolete medium, all the energy from that period is encapsulated in this tiny piece of silver.


installation view, 2024
the silver piece under microscope; bleach-washed 16mm film
Photographic Geomancy, Times Museum, Guangzhou, China
photo by Feng Fangyu

Chemical process